A friend of mine shared this book with me and it definitely stands out as one of the oddest, most unique publications I have come across.
"Ceau" is, of course, short for Ceausescu, the surname of Nicolae and Elena Ceausescu, the long time dictactor and his wife who held power in Romania from 1965 until they were overthrown and executed on Christmas Day in the violent political upheavals of 1989.
My own interest in Ceausescu stems from living in Romania for most of the year in 2002, as it was in a huge field outside of Bucharest and in the mountains of Poiana Brasov three hours north of the city, that we built and filmed the world of 19th Century North Carolina for the movie "Cold Mountain". My driver on that production was a young man in his early thirties, and over the months of driving the long, winding mountain roads of Transylvania, he opened up to me and shared something of his own biography growing up under the dictator.
It turns out that he was a young man in the Army in December 1989, and was on active duty on the night that his whole world changed. In the course of 24 hours, he went from standing guard in the capital while Ceau gave a desperate speech, his last, to the huge crowd that had gathered in the Revolutionary Square. My driver was ordered to face the crowd of demonstrators and shoot if necessary, one of the most tense moments of his life, as for the first time the public courageously turned on their despot and started booing him and rioting. By the next night, after failing to quell the disturbance at the Central Committee headquarters, the first couple fled in their helicopter, and suddenly his orders were reversed as his officers and everyone else tried to save their skin and show their opposition to their former government.
"Ceau" the book, is a collection of hundreds of portraits, both naive and professional, of the dictator and his wife, alone or as a couple, and sometimes with smiling children or an adoring public, that were painted over the decades, and collected in this one volume. It is both an art book, and a subtle critique of the psychology of subjugation to power.
There are no words accompanying the portraits, but the book ends with the written transcript of the hasty kangaroo-court trial put on by the military before they were summarily executed.
It is said that the firing squad did not even wait for the customary niceties of putting on the blindfold and tying their hands before they started firing.
If there is an "art" to living, and dying, as a dictator, this odd book really captures it.
william